Box 5, Folder 16 |
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"Alien" and "Blade Runner" Article Notes
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Box 5, Folder 17 |
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"The 'Classical Hollywood Text' as Norm and Symptom"
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circa 1980 |
Box 5, Folder 18 |
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The Desire to Desire: The Woman's Film of the 1940s, Reviews and Correspondence
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1987-1991 |
Box 5, Folder 19 |
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differences (18:1) "Indexicality: Trace and Sign" Editorial Board, Notes and Correspondence
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2004-2006 |
Box 5, Folder 20 |
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differences (18:1) "Indexicality: Trace and Sign," Doane's Introduction and Notes
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2007 |
Box 5, Folder 21 |
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differences (18:1) "Indexicality: Trace and Sign," Elizabeth Cowie Article Drafts
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circa 2007 |
Box 5, Folder 22 |
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differences (18:1) "Indexicality: Trace and Sign," Peter Geimer Article Drafts
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circa 2007 |
Box 5, Folder 23 |
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differences (18:1) "Indexicality: Trace and Sign," Tom Gunning Article Drafts
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circa 2007 |
Box 5, Folders 24-25 |
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differences (18:1) "Indexicality: Trace and Sign," Brian Rotman Article Drafts
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circa 2007 |
Box 6, Folder 1 |
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differences (18:1) "Indexicality: Trace and Sign," Braxton Soderman Article Draft and Essay
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Box 6, Folder 2 |
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The Emergence of Cinematic Time, Chapter Notes
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Box 6, Folder 3 |
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The Emergence of Cinematic Time, Introduction Notes and Statistics Chapter Rewrite
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Box 6, Folder 4 |
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The Emergence of Cinematic Time, "After Image" Chapter Notes
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Box 6, Folder 5 |
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The Emergence of Cinematic Time Notes and Femmes Fatales Introduction Notes
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Box 6, Folder 6 |
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The Emergence of Cinematic Time, "Zeno's Paradox" Chapter Notes
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Box 6, Folder 7 |
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The Emergence of Cinematic Time, Conclusion and "Screening Time" Notes
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Box 6, Folder 8 |
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The Emergence of Cinematic Time, Correspondence and Sample Pages
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2002 |
Box 6, Folders 9-13 |
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The Emergence of Cinematic Time, Copy Edited Manuscript
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2001 |
Box 6, Folders 14-16 |
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The Emergence of Cinematic Time, Preview Pages
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2002 |
Box 6, Folders 17-20 |
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The Emergence of Cinematic Time, Final Manuscript Copy
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2002 |
Box 7, Folder 1 |
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The Emergence of Cinematic Time, Post-Submission Notes
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Box 7, Folders 2-3 |
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Femmes Fatales: Feminism, Film Theory, Psychoanalysis; Drafts and Correspondence with Publishers
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1989-1990 |
Box 7, Folder 4 |
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Femmes Fatales: Feminism, Film Theory, Psychoanalysis; Reviews and Contracts
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1984-1992 |
Box 7, Folder 5 |
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"Film and the Masquerade: Theorising the Female Spectator," Original Copy and Related Correspondence
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1982 |
Box 7, Folder 6 |
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"Filming the Female Body" and "Gilda," Article Notes
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1980-1983 |
Box 7, Folder 7 |
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"The Film's Time and the Spectator's 'Space'" Notes and Draft
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Box 7, Folder 8 |
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"The Film's Time and the Spectator's 'Space'" Copy
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1983 |
Box 7, Folder 9 |
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"The General and the Derailing of Time," Notes
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Box 7, Folder 10 |
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"In the Ruins of the Image: The Work of Leslie Thornton," Notes
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circa 2007 |
Box 7, Folder 11 |
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Iraq War Coverage, Notes
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Box 7, Folder 12 |
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"Masquerade Reconsidered," Notes and Copies
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1988-1989 |
Box 7, Folders 13-14 |
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"Melodrama, Temporality, Recognition: American and Russian Silent Cinema," Notes and Copies
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1990 |
Box 7, Folder 15 |
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"Misrecognition and Identity," Notes
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circa 1990-1991 |
Box 7, Folder 16 |
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"Pathos and Pathology: The Cinema of Todd Haynes," Notes and Drafts
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circa 2003 |
Box 7, Folder 17 |
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Presented Academic Paper Notes
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Box 7, Folder 18 |
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"Representations of Catastrophe/Disaster in Television/Film," Presentation Notes
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2000 |
Box 7, Folder 19 |
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Response to "A Manifesto for Cyborgs"
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Box 7, Folder 20 |
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Response to "Hollywood, Woman, and the Vamp"
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Box 7, Folder 21 |
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"Screening the Avant-Garde Face," Conference Paper Notes
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circa 2007 |
Box 7, Folder 22 |
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"Technology and Sexual Difference: Apocalyptic Scenarios at Two 'Fins-de-siecle'" Notes
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circa 1996-1997 |
Box 7, Folder 23 |
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"Technophilia: Technology, Representation, and the Feminine," Drafts and Correspondence
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circa 1988 |
Box 7, Folder 24 |
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"Temporality and Psychoanalysis," Notes
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Box 7, Folder 25 |
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"The Temporal and Sexual Logic of Thermodynamics," Notes
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Box 7, Folder 26 |
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"Woman's Stake: Filming the Female Body," Correspondence and Original Copy
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1980 |
Box 7, Folder 27 |
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"Zeno's Paradox: The Emergence of Cinematic Time," Notes
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