Abstract: |
Includes correspondence, manuscripts, play scripts, film scripts, photographs, drawings, galley proofs, and ephemera of the American poet, experimental filmmaker, editor, and educator Willard Maas, dating from 1931 to 1968. Maas, who was openly bisexual and married to artist and filmmaker Marie Menken, with whom he often collaborated, is especially known for his pioneering avant-garde films, many of which explored homoerotic themes. These films, which were created from the early 1940s to the late 1960s, influenced the work of a number artists from that era, including Kenneth Anger and Andy Warhol; and they continue to garner much critical attention and acclaim by many contemporay scholars, filmmakers, and artists who acknowlege Maas' influential contribution to the history of cinematography. Highlights of this collection include: manuscripts of Maas' poetry; documents associated with the production of Maas' film,
Image in the Snow; and correspondence from prominent writers and intellectuals about their views on the poetry of the Beat poets which Maas collected for the inaugural issue of the
Wagner Literary Magazine. |