Guide to the McDermott Record collection, 1900-1940
Phillips Memorial Library
Archives and Special Collections
1 Cunningham Square
Providence, RI 02918
Tel: 401-865-2578
Fax: 401-865-1578
Email: pcarchives@providence.edu
Website: https://pml.providence.edu/
Published in 2009
Collection Overview
Title: |
McDermott Record collection |
Date range: |
1900-1940 |
Creator: |
McDermott, Edward J. |
Extent: |
6 box(es)
|
Abstract: |
The collection consists of 164 78 r.p.m. phonograph recordings of Enrico Caruso, John McCormack, recordings of classical music composed by Beethoven, Grieg, and of popular musical artists of the 1920's and 1930's. Additional recordings contain instructional latin lessons. |
Language of materials: |
English |
Repository: |
Phillips Memorial Library
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Collection number: |
rppc_mcdermott |
Scope & content
This collection consists exclusively of one-hundred and sixty-four 78 r.p.m. records, donated to Providence College by Edward J. McDermott. The series is arranged by performer or subject, depending on the variation. The two primary performers in this collection are Enrico Caruso, who is credited with being one of the first to lend his voice to the then-new medium of the phonograph, and thereby sky-rocketing the popularity of the new device, as well as John McCormack, a world-famous Irish tenor.
The other records involve lessons in learning the Latin language through the works of various ancient authors, including Virgil and Cicero. Also included are recordings of classical music, composed by Beethoven, Grieg, and others. Additional albums are recordings of a Solemn High Catholic Mass, and recordings of popular musical artists of the 1920's and 1930's.
Access Points
Subject Names
- Lashanska, Hulda
- McCormack, John, 1884-1945
- Caruso, Enrico, 1873-1921
- Rand, Edward Kennard, 1871-1945
- Tauber, Richard, 1891-1948
- Robyn, William, 1894-1996
- Ted Lewis Jazz Band
- O’Doherty, Séamus, d. 1945
- Staatskapelle Berlin. Kammerorchester
- Fields, Arthur
- Bernard, Al
- Kreisler, Fritz, 1875-1962
- Marsh, Lucy Isabelle
- Chaliapin, Fyodor Ivanovich, 1873-1938
- Galli-Curci, Amelita, 1882-1963
- De Luca, Giuseppe, 1876-1950
- Morini, Enrico
- Wheeler, Elizabeth
- Beethoven, Ludwig van, 1770-1827
- Tchaikovsky, Peter Ilich, 1840-1893
- Gialdini, Gialdino, 1842-1919
- Arndt, Felix, d. 1918
- Steel, John
- Kelly, Walter C., 1873-1939
- Lauder, Harry, Sir, 1870-1950
- Gluck, Alma, 1884-1938
- Culp, Julia, 1880-1970
- Garrison, Mabel, 1886-1963
- Heifetz, Jascha, 1901-1987
- Alda, Frances
- Werrenrath, Reinald, 1883-1953
- Gogorza, Emilio de, 1872-1949
- Reimers, Paul
- Farrar, Geraldine, 1882-1967
- Homer, Louise, 1871-1947
- Franck, César, 1822-1890
Subject Organizations
Subject Topics
Subject Topics
Document Types
Arrangement
The collection is arranged into five series.
- Enrico Caruso, ca. 1908-1920
- John McCormack, ca. 1910-1929
- Latin Series, ca. 1937
- Assorted Recordings, ca. 1913-1940
- Victor Talking Machine Company, ca. 1908-1912
Historical note
The Victor/Victrola Record Company was in operation from 1901 to 1929, until the 1929 Stock Market crash, which decimating the non-essential commodities industry. They would revive their status by merging with RCA in the 1930's (giving birth to the company's iconic image of the dog listening to 'his master's voice' via the phonograph). But before then, the company had been world famous for their sound and for the performers who lent their voices to their medium of the phonograph.
Perhaps the most famous of all the performers included in this series the Italian tenor Enrico Caruso. Caruso had gained international renown for the ease of which his vocal tones transmitted across the medium of the phonograph. While many of his contemporaries disdained the idea of recording their voices on such a machine, Caruso saw an opportunity to reach a broader audience, regardless of the low fidelity of the sound produced on the albums. Another prominent singer to lend his voice to the Victor/Victrola Company was John McCormack, an Irish tenor, famous for his diction and breath control during his operas.
Other, smaller record companies that have products in the collection include the Harvard Phonograph Records, Student Records, Cameo Records, Parlophone Odeum Series, Decca Records, Radiex, as well as the prestigious Columbia Records.
Access & Use
Access to the collection: |
Collection is open for research by appointment. Materials do not circulate. Some materials may be restricted, for further information contact the Archives and Special Collections, Phillips Memorial Library, Providence College. |
Use of the materials: |
Researchers are advised that express written permission to reproduce, quote, or otherwise publish any portion or extract from this collection must be obtained from the Phillips Memorial Library. Although Providence College has physical ownership of the collection and the materials contained therein, it does not claim literary rights. It is up to the researcher to determine the owners of the literary rights and to obtain any necessary permissions from them. |
Preferred citation: |
McDermott Record collection, Providence College, Phillips Memorial Library, Archives and Special Collections. |
Contact information: |
Phillips Memorial Library Archives and Special Collections 1 Cunningham Square Providence, RI 02918 Tel: 401-865-2578 Fax: 401-865-1578 Email: pcarchives@providence.edu Website: https://pml.providence.edu/
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Administrative Information
ABOUT THE COLLECTION |
Acquisition: |
The was collected by Edward J. McDermott of North Providence, Rhode Island and donated by him to Providence College in 1976-77. |
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ABOUT THE FINDING AID |
Author: |
Finding aid prepared by Daniel Neal. |
Encoding: |
Finding aid encoded by Daniel Neal
2009 October 19 |
Descriptive rules: |
Finding aid based on Describing Archives: A Content Standard (DACS) |
Additional Information
Inventory
Series I. Enrico Caruso
Box 1
This series consists of 25 78 r.p.m. albums containing forty-eight audio recordings of Enrico Caruso. The albums were produced by the Victor Talking Machine Co. of Camden, NJ. between 1908 and 1929. The date noted for each recording represents the date the song was first recorded by Caruso.
Enrico Caruso was born on February 25, 1873, in Naples, Italy. One of seven children (and only one of three who made it to adolescence), he was a bright and precocious child who had a talent for singing. While his father believed Enrico would follow in his footsteps as a mechanic, his mother encouraged the boy to follow his natural talent in singing.
While Caruso enjoyed success as an opera singer, he would not record his voice until he was in his late twenties. In 1902, he began recording for the Gramophone & Typewriter Company of England, which would later become the well-known H.M.V., an affiliate of the Victor Company. Throughout his career, Caruso received many orders, decorations, testimonials and other kinds of honors from the monarchs, governments and cultural organizations of the various nations in which he sang. He would perform until 1920, when he was struck severely ill with a respiratory ailment from which he would never recover. He passed away in August 5, 1921.
Box 1, 1 |
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Victrola #6000, 78 r.p.m. 12"
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Box 1 |
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side A - Aida - Celeste Aida
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Dec 1911 |
Box 1 |
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side B - Forza del Destino - O tu che seno agli angeli
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Sep 1911 |
Box 1, 2 |
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Victrola #6003, 78 r.p.m. 12"
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Box 1 |
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side A - Boheme - Racconto di Rodolfo
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undated |
Box 1 |
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side B - Lolita - Spanish Serenade
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Mar 1908 |
Box 1, 3 |
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Victrola #6004, 78 r.p.m. 12"
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Box 1 |
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side A - Faust - Salut, demeure
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Feb 1906 |
Box 1 |
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side B - Carmen - Air de la fleur
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Nov 1909 |
Box 1, 4 |
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Victrola #6006, 78 r.p.m. 12"
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Box 1 |
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side A - Adorables Tourments
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Jan 1908 |
Box 1 |
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side B - Chanson de Juin
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Nov 1916 |
Box 1, 5 |
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Victrola #6008, 78 r.p.m. 12"
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Box 1 |
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side A - Cavalleria Rusticana - Addio alla madre
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Dec 1913 |
Box 1 |
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side B - Andrea Chenier - Un di all azzurro spazio
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Mar 1907 |
Box 1, 6 |
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Victrola #6009, 78 r.p.m. 12"
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Box 1 |
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side A - Mamma mai, che vo sape!
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Nov 1909 |
Box 1 |
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side B - I'm' Arricordo e Napule!
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Sep 1920 |
Box 1, 7 |
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Victrola #6011, 78 r.p.m. 12"
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Box 1 |
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side A - La Campana di San Giusto
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Jan 1919 |
Box 1 |
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side B - A Granada
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Sep 1918 |
Box 1, 8 |
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Victrola #6012, 78 r.p.m. 12"
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Box 1 |
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side A - Boheme - Testa adorata
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Nov 1911 |
Box 1 |
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side B - Boheme - Io non ho che una povera stanzetta
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Nov 1911 |
Box 1, 9 |
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Victrola #6013, 78 r.p.m. 12"
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Box 1 |
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side A - La Juive - Rachel! quad du Seigneur la grace tutelaire
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Sep 1920 |
Box 1 |
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side B - Le Cid - O souverain, o juge, o pere! (Massenat)
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Feb 1916 |
Box 1, 10 |
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Victrola #8005, 78 r.p.m. 12"
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Box 1 |
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side A - Forza del Destino - Invano, Alvaro!
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Nov 1911 |
Box 1 |
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side B - Forza del Destino - Le minaccie i fieri accenti
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Nov 1911 |
Box 1, 11 |
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Victrola #8008, 78 r.p.m. 12"
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Box 1 |
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side A - Si vous l'aviez compris - Melodie
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Feb 1915 |
Box 1 |
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side B - Les Deux Serenades
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Feb 1915 |
Box 1, 12 |
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Victrola #8010, 78 r.p.m. 12"
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Box 1 |
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side A - Faust - Prison Scene, Part 1 - Mon coeur est penetre d'epouvante!
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Jan 1910 |
Box 1 |
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side B - Faust - Prison Scene, Part 2 - Attends! voici la rue
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Jan 1910 |
Box 1, 13 |
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Victrola #8011, 78 r.p.m. 12"
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Box 1 |
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side A - Madama Butterfly - O quant occhi fisi
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Mar 1908 |
Box 1 |
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side B - Manon, On l'appelle, Manon
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Dec 1912 |
Box 1, 14 |
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Victrola #8012, 78 r.p.m. 12"
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Box 1 |
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side A - Gia i sacerdoti adunansi
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Dec 1910 |
Box 1 |
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side B - Aida a me togliesti
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Dec 1910 |
Box 1, 15 |
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Victrola #8014, 78 r.p.m. 12"
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Box 1 |
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side A - Madama Butterfly - Ve lo dissi?
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Mar 1910 |
Box 1 |
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side B - Madama Butterfly - Amore o grillo
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Mar 1910 |
Box 1, 16 |
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Victrola #8016, 78 r.p.m. 12"
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Box 1 |
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side A - Martha - Solo, profugo
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Jan 1910 |
Box 1 |
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side B - Faust - O merveille!
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Jan 1910 |
Box 1, 17 |
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Victrola #8042, 78 r.p.m. 12"
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Box 1 |
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side A - Trovatore - Miserere
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Dec 1909 |
Box 1 |
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side B - Trovatore - Ai nostri monti
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Mar 1908 |
Box 1, 18 |
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Victrola #8045, 78 r.p.m. 12"
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Box 1 |
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side A - Otello - Si pel ciel
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Jan 1914 |
Box 1 |
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side B - Otello - Credo (Iago's Creed)
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undated |
Box 1, 19 |
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Victrola #10002, 78 r.p.m. 12"
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Box 1 |
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side A - Martha - Siam giunti, o giovinette
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Jan 1912 |
Box 1 |
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side B - Martha - Che vuol dir Cio
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Jan 1912 |
Box 1, 20 |
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Victrola #10005, 78 r.p.m. 12"
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Box 1 |
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side A - Ballo in Maschera - (Masked Ball) - Quintetto, E scherzo, od e folia
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Apr 1914 |
Box 1 |
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side B - Ballo in Maschera - La rivedra nell'estati
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Apr 1914 |
Box 1, 21 |
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Victrola #10008, 78 r.p.m. 12"
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Box 1 |
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side A - Faust - Prison Scene -Alerte! Ou vous etes perdus
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Jan 1910 |
Box 1 |
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side B - Faust - Elle ouvre sa fenetre
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undated |
Box 1, 22 |
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Victrola #10010, 78 r.p.m. 12"
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Box 1 |
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side A - Lombardi - Qual volutta
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Jan 1912 |
Box 1 |
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side B - Samson et Dalila - Je viens celebrer la victorire
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Feb 1919 |
Box 1, 23 |
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Victrola #10011, 78 r.p.m. 12"
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Box 1 |
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side A - Rigoletto - Quartet Bella figlia dell'amore
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undated |
Box 1 |
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side B - Faust - Que voulez-vous, messieurs?
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undated |
Box 1, 24 |
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Victrola #87243, 78 r.p.m. 10"
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Box 1 |
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side A - O Sole Mio
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Feb 1916 |
Box 1, 25 |
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Victrola #87305, 78 r.p.m. 10"
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Box 1 |
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side A - Vieni Sul Mar!(Over the Sea)
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Sep 1919 |
Series II. John McCormack
Box 1
This series consists of 25 78 r.p.m. albums containing thirty-four audio recordings of John McCormack. The albums were produced by the Victor Talking Machine Co. of Camden, NJ. between 1910 and 1929.
John McCormack was born on June 14, 1884, in Athlone, Ireland, the fourth of seven children. McCormack recorded his first songs at the age of twenty in 1904 for the Edison Company and the Gramophone & Typewriter Company. The following year McCormack traveled to Italy for further, more formal, vocal training.
Upon his return from Italy in 1906, McCormack made a number of recordings for the Odeon Company. The Odeon Company was later purchased by the Victor Talking Machine Company in 1910, which meant that the Victor Company also bought out McCormack's contract. For the rest of his career, McCormack recorded exclusively for the Victor Company, and its British affiliate, H.M.V.
From 1923 until his retirement in 1938, McCormack devoted himself to recording and performing on tour. During this time, he had become a singer of great renown all over the world, known for both his moving performances, as well as his masterful breath control. He also became an actor, lending his talents to the medium of film. At the outbreak of World War II, McCormack came out of retirement to tour for the Allied troops, just as he had during World War I. His constant touring would take a toll on his health in 1943, and he would pass away on September 16, 1945.
Box 2, 1 |
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Victrola #740, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Annie Laurie
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Box 2 |
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side B - Mary of Argyle
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Box 2, 2 |
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Victrola #742, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - At Dawning
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Box 2 |
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side B - I Hear A Thrush at Eve
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Box 2, 3 |
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Victrola #747, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Then You'll Remember Me
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Box 2, 4 |
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Victrola #751, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Come Where My Love Lies Dreaming
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Box 2 |
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side B - Funiculi, Funicula
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Box 2, 5 |
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Victrola #758, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Where the River Shannon Flows
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Box 2 |
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side B - Eileen Allanna
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Box 2, 6 |
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Victrola #760, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - I'll Sing Thee Songs of Araby
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Box 2 |
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side B - Evening Song
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Box 2, 7 |
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Victrola #772, 78 r.p.m. 10"
(2 copies)
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ca. 1910-1929 |
Box 2 |
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side A - Little Town in Ould Country Down
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Box 2 |
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side B - My Irish Song of Songs
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Box 2, 8 |
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Victrola #1020, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - A Love Song
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Box 2 |
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side B - Little Yvette
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Box 2, 9 |
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Victrola #6201, 78 r.p.m. 12"
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ca. 1910-1929 |
Box 2 |
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side A - Come Back to Erin
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Box 2 |
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side B - The Snowy Breasted Pearl
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Box 2, 10 |
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Victor #64120, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - I Hear You Calling Me
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Box 2, 11 |
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Victrola #64205, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2, 12 |
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Victrola #64309, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Sweet Genevieve
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Box 2, 13 |
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Victor #64120, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - A Little Love, A Little Kiss
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Box 2, 14 |
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Victor #64120, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Somewhere A Voice is Calling
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Box 2, 15 |
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Victrola #644070, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2, 16 |
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Victor #64495, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2, 17 |
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Victor #64499, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - The Vacant Chair
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Box 2, 18 |
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Victor #64549, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Venetian Song
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Box 2, 19 |
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Victor #64630, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Tommy Lad!
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Box 2, 20 |
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Victrola #64818, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - The First Rose of Summer
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Box 2, 21-22 |
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Victrola #64825, 78 r.p.m. 10"
(2 copies)
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ca. 1910-1929 |
Box 2 |
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side A - Roses of Picardy
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Box 2, 23 |
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Victrola #64860, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Your Eyes Have Told Me So
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Box 2, 24 |
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Victrola #64962, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Beneath the Moon of Lombardi
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Box 2, 25 |
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Victrola #87551, 78 r.p.m. 10"
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ca. 1910-1929 |
Box 2 |
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side A - Tales of Hoffman - Barcarolle
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Series III. Latin Series
Box 1
The first set of lessons were recorded by the now defunct Student Educational Records, Inc. in Camden, New Jersey. The second set of lessons were recorded by the distinguished Harvard professor Edward Kennard Rand (1871-1945). He was an American classicist and medievalist, teaching at Harvard for over forty years. He founded the Medieval Academy of America in 1925 and the quarterly journal Speculum in 1926.
This series consists of five 78 r.p.m. albums containing ten audio recordings created by Student Educational Records, Inc., as well as eleven 78 r.p.m. albums containing twenty-one audio recordings created by the Harvard Phonograph Records Company, which was a subsidiary of Harvard University Press.
Box 3, 1 |
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Student Educational Records, Inc. #2495, 78 r.p.m. 10"
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undated |
Box 3 |
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side A - Latin Proununciation: Quotations for Practice
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Box 3 |
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side B - Latin Maxims, Phrases and Colloquial Expressions
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Box 3, 2 |
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Student Educational Records, Inc. #2496, 78 r.p.m. 10"
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undated |
Box 3 |
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side A - Short Latin Sentences
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Box 3 |
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side B - Sentences From Caesar
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Box 3, 3 |
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Student Educational Records, Inc. #2497, 78 r.p.m. 10"
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undated |
Box 3 |
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side A - Bravery of Two Centurions
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Box 3 |
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side B - Cicero's Eulogy of Ceasar
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Box 3, 4 |
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Student Educational Records, Inc. #2498, 78 r.p.m. 10"
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undated |
Box 3 |
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side A - Cicero Against Cataline (The Appeal to Jupiter Stator)
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Box 3 |
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side B - Cicero Defense of the Study of Literature (Pro Archia VI, VII)
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Box 3, 5 |
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Student Educational Records, Inc. #2499, 78 r.p.m. 10"
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undated |
Box 3 |
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side A - Opening Lines of the Aeneid
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Box 3 |
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side B - Description of Rumor, Advice of the Sibyl and the Greatness of Rome
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Box 3, 6 |
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The Harvard Phonograph Company, #1092-#1093, 78 r.p.m. 10"
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1937 |
Box 3 |
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side A - Latin Readings: Catullus (Series II - No. 3A)
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Box 3 |
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side B - Latin Readings: Catullus (continued, Series II - No. 3B)
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Box 3, 7 |
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The Harvard Phonograph Company, #1140-#1141, 78 r.p.m. 10"
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1937 |
Box 3 |
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side A - Tacitus (Series II - No. 10A)
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Box 3 |
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side B - Tacitus (continued, Series II - No. 10B)
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Box 3, 8 |
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The Harvard Phonograph Company, #1142-#1143, 78 r.p.m. 10"
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1937 |
Box 3 |
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side A - Pliny and Martial (Series II - No. 9A)
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Box 3 |
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side B - Juvenal and Martial (Series II - No. 9B)
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Box 3, 9 |
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The Harvard Phonograph Company, #1144-#1145, 78 r.p.m. 10"
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1937 |
Box 3 |
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side A - Ovid (Series II - No. 8A)
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Box 3 |
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side B - Ovid (continued, Series II - No. 8B)
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Box 3, 10 |
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The Harvard Phonograph Company, #1147-#1148, 78 r.p.m. 10"
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1937 |
Box 3 |
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side A - Livy (Series II - 7A)
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Box 3 |
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side B - Livy (continued, Series II - 7B)
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Box 3, 11 |
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The Harvard Phonograph Company, #1149-#1150, 78 r.p.m. 10"
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1937 |
Box 3 |
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side A - Horace (Series II - No. 6A)
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Box 3 |
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side B - Horace (continued, Series II - No. 6B)
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Box 3, 12 |
|
The Harvard Phonograph Company, #1151-#1152, 78 r.p.m. 10"
|
|
1937 |
Box 3 |
|
side A - Virgil (Series II - No. 5A)
|
|
|
Box 3 |
|
side B - Virgil (continued, Series II - No. 5B)
|
|
|
Box 3, 13 |
|
The Harvard Phonograph Company, #1153-#1154, 78 r.p.m. 10"
|
|
1937 |
Box 3 |
|
side A - Livy (Series II - No. 4A)
|
|
|
Box 3 |
|
side B - Livy (continued, Series II - No. 4B)
|
|
|
Box 3, 14 |
|
The Harvard Phonograph Company, #1155-#1156, 78 r.p.m. 10"
|
|
1937 |
Box 3 |
|
side A - Plautus (Series II - No. 1A)
|
|
|
Box 3 |
|
side B - Terence (Series II - No. 1B)
|
|
|
Box 3, 15 |
|
The Harvard Phonograph Company, #1157-#1158, 78 r.p.m. 10"
|
|
1937 |
Box 3 |
|
side A - Lucretius (Series II - No. 2A)
|
|
|
Box 3 |
|
side B - Lucretius (continued, Series II - No. 2B)
|
|
|
Box 3, 16 |
|
The Harvard Phonograph Company, CL3-CL4, 78 r.p.m. 10"
|
|
1937 |
Box 3 |
|
side A - Virgil's "Aeneid"
|
|
|
Box 3 |
|
side B - Caesars' "Gallic War" (Caesar meets Ariovistus)
|
|
|
Series IV. Assorted Recordings
Box 1
This series contains the recordings of a wide variety of individual artists on different record labels, such as Cameo, Decca, Columbia and Radiex. Artists in this series include world famous Austrian tenor Richard Tauber, and Irish singer Seamus O'Doherty. Additional recording are of the Berlin State Opera House Orchestra, and the Columbia Broadcasting Symphony.
Box 4, 1 |
|
William Robyn: Cameo Record Corporation #521-522
|
|
1921 |
Box 4 |
|
side A - Somewhere, A Voice is Calling
|
|
|
Box 4 |
|
side B - At Dawning (I Love You)
|
|
|
Box 4, 2 |
|
Ted Lewis and His Band: Columbia Phonograph Company #1296-D
|
|
1913 |
Box 4 |
|
side A - The Sweetheart of Sigma Chi
|
|
|
Box 4 |
|
side B - Good Night
|
|
|
Box 4, 3 |
|
Seamus O'Doherty: Columbia Phonograph Company #33205-F
|
|
1913 |
Box 4 |
|
side A - I Left Ireland and Mother Because We Were Poor
|
|
|
Box 4 |
|
side B - I'll Be With You When The Roses Bloom Again
|
|
|
Box 4, 4 |
|
Berlin State Opera House Orchestra: Columbia Phonograph Company #69091-D
|
|
undated |
Box 4 |
|
side A - Concerto in A minor, Part I
|
|
|
Box 4 |
|
side B - Concerto in A minor, Part V
|
|
|
Box 4, 5 |
|
Berlin State Opera House Orchestra: Columbia Phonograph Company #69092-D
|
|
undated |
Box 4 |
|
side A - Concerto in A minor, Part II
|
|
|
Box 4 |
|
side B - Concerto in A minor, Part VI
|
|
|
Box 4, 6 |
|
Berlin State Opera House Orchestra: Columbia Phonograph Company #69093-D
|
|
undated |
Box 4 |
|
side A - Concerto in A minor, Part III
|
|
|
Box 4 |
|
side B - Concerto in A minor, Part VII
|
|
|
Box 4, 7 |
|
Berlin State Opera House Orchestra: Columbia Phonograph Company #69094-D
|
|
undated |
Box 4 |
|
side A - Concerto in A minor, Part IV
|
|
|
Box 4 |
|
side B - An Der Wiege, Op. 68, No. 5, Franzosische Serenade, Op. 62, No. 3 - Piano Solo
|
|
|
Box 4, 8 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69685-D
|
|
undated |
Box 4 |
|
side A - César Franck: Les Eolides, First Part
|
|
|
Box 4 |
|
side B - César Franck: Les Eolides, Second Part
|
|
|
Box 4, 9 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69686-D
|
|
undated |
Box 4 |
|
side A - César Franck: Les Eolides, Completion
|
|
|
Box 4 |
|
side B - César Franck: Les Petits Moulins A Vent, Souer Monique, Le Trophee
|
|
|
Box 4, 10 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69885-D
|
|
undated |
Box 4 |
|
side A - Beethoven: Concerto in D Major, Op. 61, First Movement: Commencement
|
|
|
Box 4 |
|
side B - Beethoven: Concerto in D Major, Op. 61, Finale: Rondo (completion)
|
|
|
Box 4, 11 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69886-D
|
|
undated |
Box 4 |
|
side A - Beethoven: Concerto in D Major, Op. 61, First Movement: Continuation
|
|
|
Box 4 |
|
side B - Beethoven: Concerto in D Major, Op. 61, Finale: Rondo (first half)
|
|
|
Box 4, 12 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69887-D
|
|
undated |
Box 4 |
|
side A - Beethoven: Concerto in D Major, Op. 61, First Movement: Continuation
|
|
|
Box 4 |
|
side B - Beethoven: Concerto in D Major, Op. 61, Second Movement: Completion
|
|
|
Box 4, 13 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69888-D
|
|
undated |
Box 4 |
|
side A - Beethoven: Concerto in D Major, Op. 61, First Movement: Continuation
|
|
|
Box 4 |
|
side B - Beethoven: Concerto in D Major, Op. 61, Second Movement: Continuation
|
|
|
Box 4, 14 |
|
Columbia Broadcasting Symphony: Columbia Phonograph Company #69889-D
|
|
undated |
Box 4 |
|
side A - Beethoven: Concerto in D Major, Op. 61, First Movement: Completion
|
|
|
Box 4 |
|
side B - Beethoven: Concerto in D Major, Op. 61, Second Movement: Commencement
|
|
|
Box 4, 15 |
|
Solemn High Mass: Decca Records #23108
|
|
1940 |
Box 4 |
|
side A - Asperges (Part 1)
|
|
|
Box 4 |
|
side B - Introit Kyrie (Part 2)
|
|
|
Box 4, 16 |
|
Solemn High Mass: Decca Records #23109
|
|
1940 |
Box 4 |
|
side A - Gloria in Excelsis Deo (Part 3)
|
|
|
Box 4 |
|
side B - Graduale/Gospel/Credo (Part 4)
|
|
|
Box 4, 17 |
|
Solemn High Mass: Decca Records #23110
|
|
1940 |
Box 4 |
|
side A - Credo concluded / Offertory / Preface - Part 1 (Part 5)
|
|
|
Box 4 |
|
side B - Preface concluded (Part 6)
|
|
|
Box 4, 18 |
|
Solemn High Mass: Decca Records #23111
|
|
1940 |
Box 4 |
|
side A - Sanctus Benedictus / Pater Noster (Part 7)
|
|
|
Box 4 |
|
side B - Agnus Dei / Communion / Oration / Ite Missa Est (Part 8)
|
|
|
Box 4, 19 |
|
Decca Records presents Solemn High Mass: Gregorian (Complete) - R.C. - booklet
|
|
1940 |
Box 4, 20 |
|
Richard Tauber: Decca Records #23160
|
|
undated |
Box 4 |
|
side A - You Are My Heart's Delight
|
|
|
Box 4 |
|
side B - Dein Ist Mein Ganzes Herz
|
|
|
Box 4, 21 |
|
Richard Tauber: The Parlophone Company, Ltd. #20107
|
|
undated |
Box 4 |
|
side A - You Are My Heart's Delight
|
|
|
Box 4 |
|
side B - Patiently Smiling
|
|
|
Box 4, 22 |
|
Richard Tauber: Decca Records #20316
|
|
undated |
Box 4 |
|
side A - Roses of Picardy
|
|
|
Box 4 |
|
side B - Serenade From "The Student Prince"
|
|
|
Box 4, 23 |
|
Recorded by Grey Gull: Radiex Records #2338
|
|
undated |
Box 4 |
|
side A - Arthur Fields: Lindy, Lindy, How I'd Like To Be You
|
|
|
Box 4 |
|
side B - Al Bernard: No, No, Positively No
|
|
|
Series V. Victor Talking Machine Company
Box 2
his series contains the recordings of a wide variety of individual artists, such as the Austrian-born violinist and composer Fritz Kreisler, Reinald Werrenrath, who was famous for his Songs on The Great War, and Feodor Chaliapin, who was known at the time as the most famous Russian opera singer of the 20th century. The series also contains the recordings of many other well-known early 20th century musical artists.
Additional recording are of the BBC Symphony Orchestra, the Philadelphia Orchestra, the Victor Military Band, and the International Novelty Orchestra. The discs contained in box five have recordings on both sides while the discs in box six are single-sided only.
Box 5, 1 |
|
Hulda Lashanska: Victrola #1044, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - The Sweetest Story Ever Told
|
|
|
Box 5 |
|
side B - Ma Curly-Headed Babby
|
|
|
Box 5, 2 |
|
Sistine Chapel Choir: Victrola #1046, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Adeste Fideles (Oh Come, All Ye Faithful)
|
|
|
Box 5 |
|
side B - Exultate Deo (Sing Unto the Lord)
|
|
|
Box 5, 3 |
|
Fritz Kreisler: Victrola #1465, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - The Old Refrain
|
|
|
Box 5 |
|
side B - Exultate Deo (Sing Unto the Lord)
|
|
|
Box 5, 4 |
|
Lucy Isabelle Marsh & Royal Dadmun: Victrola #4013, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Song of Love
|
|
|
Box 5, 5 |
|
Feodor Chaliapin: Victrola #6061, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Trepak (Still In The Forest)
|
|
|
Box 5 |
|
side B - When The King Went Forth To War
|
|
|
Box 5, 6 |
|
Evan Williams: Victrola #6313, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Oh Dry Those Tears
|
|
|
Box 5, 7 |
|
Amelita Galli-Curci -- Giuseppe de Luca: Victrola #4013, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Traviata Imponete (Now Command Me)
|
|
|
Box 5 |
|
side B - Dite Alla Giovine (Say To Thy Daughter)
|
|
|
Box 5, 8 |
|
Erica Morini: RCA Victor #11-8731, 78 r.p.m. 12"
|
|
undated |
Box 5 |
|
side A - Capriccio-Valse, Op. 7
|
|
|
Box 5, 9 |
|
BBC Symphony Orchestra: RCA Victor #11-9568, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Karelia Suite, Op. 11: No. 1 - Intermezzo
|
|
|
Box 5 |
|
side B - Karelia Suite, Op. 11: No. 3 - Alla Marcia
|
|
|
Box 5, 10 |
|
Elizabeth Wheeler: Victor #16398, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - I Dreamt I Dwelt In Marble Halls
|
|
|
Box 5 |
|
side B - Then You'll Remember Me
|
|
|
Box 5, 11 |
|
Victor #16469, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Arthur Pryor's Band: The Darkies' Dream
|
|
|
Box 5 |
|
side B - William H. Reitz: Sorgenlos Polka
|
|
|
Box 5, 12 |
|
Sousa's Band: Victor Record #16523, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - American Patrol (Meacham)
|
|
|
Box 5 |
|
side B - La Sorella March (La Mattchiche)(Gallini)
|
|
|
Box 5, 13 |
|
Tschiakowski, Op. 64, performed by the Philadelphia Orchestra: Victor #16647, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Symphony No. 5, in E minor - 1st Movement - Andante, Allegro con anima
|
|
|
Box 5 |
|
side B - Symphony No. 5, in E minor - 4th Movement - Allegro vivace - concluded
|
|
|
Box 5, 14 |
|
Tschiakowski, Op. 64, performed by the Philadelphia Orchestra: Victor #16648, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Symphony No. 5, in E minor - 1st Movement - Allegro con anima (continued)
|
|
|
Box 5 |
|
side B - Symphony No. 5, in E minor - 4th Movement - Andante maestoso - Allegro vivace (continued)
|
|
|
Box 5, 15 |
|
Tschiakowski, Op. 64, performed by the Philadelphia Orchestra: Victor #16649, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Symphony No. 5, in E minor - 1st Movement - Allegro con anima (continued)
|
|
|
Box 5 |
|
side B - Symphony No. 5, in E minor - 4th Movement - Allegro vivace
|
|
|
Box 5, 16 |
|
Tschiakowski, Op. 64, performed by the Philadelphia Orchestra: Victor #16650, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Symphony No. 5, in E minor - 1st Movement - Andante, Allegro con anima (concluded)
|
|
|
Box 5 |
|
side B - Symphony No. 5, in E minor - 3rd Movement - Valse. - Allegro moderato - concluded
|
|
|
Box 5, 17 |
|
Tschiakowski, Op. 64, performed by the Philadelphia Orchestra: Victor #16651, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Symphony No. 5, in E minor - 2nd Movement - Andante catabile, con alcuna licenza
|
|
|
Box 5 |
|
side B - Symphony No. 5, in E minor - 3rd Movement - Valse. Allegro moderato
|
|
|
Box 5, 18 |
|
Tschiakowski, Op. 64, performed by the Philadelphia Orchestra: Victor #16652, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Symphony No. 5, in E minor - 2nd Movement - Andante cantabile, con alcuna licenza (continued)
|
|
|
Box 5 |
|
side B - Symphony No. 5, in E minor - 2nd movement - Andante cantabile, con alcuna licenza (concluded)
|
|
|
Box 5, 19 |
|
Guido Gialdini: Victor Record #16835, 78 r.p.m. 10"
|
|
1912 |
Box 5 |
|
side A - Spring Voices (Strauss)
|
|
|
Box 5 |
|
side B - Birds of the Forst Gavotte (Waldvoglein)
|
|
|
Box 5, 20 |
|
Victor Record #16964, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Billy Murray & Chorus: Keep in de Middle ob de Road
|
|
|
Box 5 |
|
side B - American Quartet: Rosa Lee or "Don't Be Foolish, Joe"
|
|
|
Box 5, 21 |
|
Victor #17222, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - Nat M. Willis: "No News" or "What Killed The Dog"
|
|
|
Box 5 |
|
side B - Tom McNaughton: The Three Trees
|
|
|
Box 5, 22 |
|
Victor #17233, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - Dudley and Macdonough: Red Wing
|
|
|
Box 5 |
|
side B - Billy Murray and the Hayden Quartet: Rainbow
|
|
|
Box 5, 23 |
|
Victor Military Band: Victor Record #17368, 78 r.p.m. 10"
|
|
1912 |
Box 5 |
|
side A - Military Escort March
|
|
|
Box 5 |
|
side B - On The Wing Galop
|
|
|
Box 5, 24 |
|
Felix Arndt: Victor #16964, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - To A Wild Rose
|
|
|
Box 5 |
|
side B - Drink To Me Only With Thine Eyes
|
|
|
Box 5, 25 |
|
Victor #17691, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - Peerless Quartet: We'll Have A Jubilee On My Old Kentucky Home
|
|
|
Box 5 |
|
side B - Collins and Harlan: Alabama Jubilee
|
|
|
Box 5, 26 |
|
Victor #17837, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - Alice Green and Edward Hamilton: Hello Frisco (I Called You Up To Say Hello)
|
|
|
Box 5 |
|
side B - Albert Campbell and Henry Burr: When It's Peach Picking Time in Delaware
|
|
|
Box 5, 27 |
|
Master William Pickels: Victor #17876, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - Love In Springtime
|
|
|
Box 5 |
|
side B - Boheme - Musetta Waltz
|
|
|
Box 5, 28 |
|
Victor #17968, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - John Barnes Wells: Memories
|
|
|
Box 5 |
|
side B - Elsie Baker: One Fleeting Hour
|
|
|
Box 5, 29 |
|
Victor #18609, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Peerless Quartet: When I'm Gone You'll Soon Forget
|
|
|
Box 5 |
|
side B - Henry Burr and Frank Croxton: Weeping Willow Lane
|
|
|
Box 5, 30 |
|
Victor #18689, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Frank Ferera and Anthony Franchini: Beautiful Hawaii - Waltz
|
|
|
Box 5 |
|
side B - Hawaiian Trio: Hawaiian Twilight - Fox Trot
|
|
|
Box 5, 31 |
|
Victor #19006, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - American Quartet: Carolina in the Morning
|
|
|
Box 5 |
|
side B - Billy Murray and Ed Smalle: Toot, Toot, Tootsie Goo'bye
|
|
|
Box 5, 32 |
|
John Steel: Victor #19089, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Just An Old Love Song
|
|
|
Box 5 |
|
side B - When The Gold Turns To Gray (You Will Still Be The Same Girl To Me)
|
|
|
Box 5, 33 |
|
International Novelty Orchestra: Victor #19096, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Cigarette - Tango
|
|
|
Box 5 |
|
side B - The Cup of Sorrow - Tango
|
|
|
Box 5, 34 |
|
Henry Burr and the Peerless Quartet: Victor #19112, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Silver Threads Among the Gold
|
|
|
Box 5 |
|
side B - When You And I Were Young, Maggie
|
|
|
Box 5, 35 |
|
Victor #19117, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - The Troubadours: Roses of Picardy - Waltz
|
|
|
Box 5 |
|
side B - Green Arden Orchestra: Marcheta - Waltz
|
|
|
Box 5, 36 |
|
Paul Whiteman and His Orchestra: Victor #19229, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - I'm Goin' South - Fox Trot
|
|
|
Box 5 |
|
side B - Steppin' Out - Fox Trot
|
|
|
Box 5, 37 |
|
Victor #19412, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Shannon Quartet: Old Familiar Faces
|
|
|
Box 5 |
|
side B - Peerless Quartet: In The Candle Light
|
|
|
Box 5, 38 |
|
Victor #19897, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Dennis King: Song of the Vagabonds
|
|
|
Box 5 |
|
side B - Carolyn Thomson: Only A Rose
|
|
|
Box 5, 39 |
|
Walter C. Kelly: Victor #19089, 78 r.p.m. 10"
|
|
undated |
Box 5 |
|
side A - Virginian Judge (Southern Cut Scene - 5th Session - Part 1)
|
|
|
Box 5 |
|
side B - Virginian Judge (Southern Cut Scene - 5th Session - Part 2)
|
|
|
Box 5, 40 |
|
Victor #35095, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Criterion Quartet: Medley of Foster Songs
|
|
|
Box 5 |
|
side B - Victor Minstrel Company: Virginia Minstrels
|
|
|
Box 5, 41 |
|
Victor Light Opera Company: Victor #35413, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Gems from Robin Hood (Part 1)
|
|
|
Box 5 |
|
side B - Gems from Robin Hood (Part 2)
|
|
|
Box 5, 42 |
|
Victor #45161, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Olive Kline and Marguerite Dunlap: Beautiful Ohio
|
|
|
Box 5 |
|
side B - Elsie Baker: Dear Little Boy of Mine
|
|
|
Box 5, 43 |
|
Walter C. Kelly: Victor #45202, 78 r.p.m. 10"
|
|
1908 |
Box 5 |
|
side A - Virginian Judge (Southern Court Scene - Second Session - Part 1)
|
|
|
Box 5 |
|
side B - Virginian Judge (Southern Court Scene - Second Session - Part 2)
|
|
|
Box 5, 44 |
|
Sir Harry Lauder: Victor #55129, 78 r.p.m. 12"
|
|
1908 |
Box 5 |
|
side A - Roamin' in the Gloamin'
|
|
|
Box 5 |
|
side B - The Wee House 'Mang the Heather
|
|
|
Box 6, 1 |
|
Lucy Isabelle Marsh: Victor #60031, 78 r.p.m. 10"
|
|
undated |
Box 6 |
|
side A - Italian Street Song
|
|
|
Box 6, 2 |
|
Evan Williams: Victor #64078, 78 r.p.m. 10"
|
|
undated |
Box 6, 3 |
|
Evan Williams: Victor #64109, 78 r.p.m. 10"
|
|
undated |
Box 6, 4 |
|
Evan Williams: Victor #64411, 78 r.p.m. 10"
|
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undated |
Box 6 |
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side A - Beautiful Isle of Somewhere
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Box 6, 5 |
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Alma Gluck: Victor #64112, 78 r.p.m. 10"
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undated |
Box 6 |
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side A - Little Grey Home in the West
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Box 6, 6 |
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Julia Culp: Victor #64489, 78 r.p.m. 10"
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undated |
Box 6, 7 |
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Mabel Garrison: Victrola #64695, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Emmett's Lullaby
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Box 6, 8 |
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Jascha Heifetz: Victrola #64758, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Valse Bluette (Air de Ballet)
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Box 6, 9 |
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Fritz Kreisler: Victrola #64817, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Beautiful Ohio (Waltz)
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Box 6, 10 |
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Fritz Kriesler: Victrola #64902, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Who Can Tell
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Box 6, 11 |
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Frances Alda: Victrola #64948, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - I Passed By Your Window
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Box 6, 12 |
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Reinald Werrenrath: Victrola #64950, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Story of the Rose
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Box 6, 13 |
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Emilio de Gogorza: Victrola #64953, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - In Old Madrid
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Box 6, 14 |
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Reinald Werrenrath: Victrola #66132, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Kashmiri Song
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Box 6, 15 |
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Emilio de Gogorza: Victrola #74379, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - La Pamola (The Dove)
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Box 6, 16 |
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Alma Gluck & Male Chorus: Victor #74420, 78 r.p.m. 12"
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undated |
Box 6 |
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side A - Carry Me Back to Old Virginny
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Box 6, 17 |
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Evan Williams: Victrola #74453, 78 r.p.m. 12"
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1908 |
Box 6 |
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side A - The Last Chord
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Box 6, 18 |
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Alma Gluck: Victor #74468, 78 r.p.m. 12"
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undated |
Box 6 |
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side A - My Old Kentucky Home
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Box 6, 19 |
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Evan Williams: Victrola #74476, 78 r.p.m. 12"
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1908 |
Box 6 |
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side A - Dreaming of Home and Mother
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Box 6, 20 |
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Amelita Galli-Curci: Victor #74512, 78 r.p.m. 12"
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undated |
Box 6 |
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side A - Romeo et Juliette - Valse
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Box 6, 21 |
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Alma Gluck & Paul Reimers: Victrola #87182, 78 r.p.m. 12"
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1908 |
Box 6 |
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side A - Du, Du Liegst Mir Im Herzen
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Box 6, 22 |
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Geraldine Farrar: Victor #87210, 78 r.p.m. 10"
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undated |
Box 6 |
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side A - Carmen - Habanera
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Box 6, 23 |
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Alma Gluck & Paul Reimers: Victrola #87229, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Der Tannenbaum
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Box 6, 24 |
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Geraldine Farrar: Victor #87254, 78 r.p.m. 10"
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undated |
Box 6 |
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side A - All Through The Night
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Box 6, 25 |
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Louise Homer: Victrola #87255, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Oh, Promise Me (de Koven)
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Box 6, 26 |
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Louise Homer: Victrola #87259, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Last Night (Kjerulf)
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Box 6, 27 |
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Alma Gluck & Louise Homer: Victor #87267, 78 r.p.m. 10"
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undated |
Box 6 |
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side A - Long, Long Ago
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Box 6, 28 |
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Louise Homer: Victor #87329, 78 r.p.m. 10"
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undated |
Box 6 |
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side A - Just For To-day
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Box 6, 29 |
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Alma Gluck & Paul Reimers: Victrola #87544, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Silent Night, Holy Night
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Box 6, 30 |
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John McCormack & Fritz Kreisler: Victrola #87549, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Flirtation
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Box 6, 31 |
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Louise Homer: Victrola #88585, 78 r.p.m. 10"
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1908 |
Box 6 |
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side A - Love's Old Sweet Song
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